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Home»Hollywood»‘4 Seasons’ Star Marco Calvani Unveils Second Directorial Function ‘Capitana’
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‘4 Seasons’ Star Marco Calvani Unveils Second Directorial Function ‘Capitana’

DaneBy DaneMay 21, 2025No Comments8 Mins Read
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‘4 Seasons’ Star Marco Calvani Unveils Second Directorial Function ‘Capitana’
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EXCLUSIVE: Marco Calvani, who most not too long ago starred in Netflix‘s The 4 Seasons, is about to co-write and direct his second characteristic movie, Capitana.

Co-written with ‘The Vagina Monologues’ playwright, V, Capitana is predicated on a memoir by Pia Klemp, a German biologist who was working with Sea Shepherd on marine conservation efforts. She later directed ships to rescue 1000’s of migrants from drowning within the Mediterranean Sea, however later confronted fees for helping with unlawful immigration in 2017 and a possible 20-year jail sentence. After seven years, fees had been dropped in opposition to Klemp.

Manufacturing for Capitana is anticipated to happen a while within the “late winter or spring” subsequent 12 months, as Calvani will likely be on set for the second season of Netflix’s The 4 Seasons someday between September to December this 12 months.

Capitana will characteristic a global forged, with the shoot going down in a number of international locations — Malta, Italy, Serbia and Germany are among the many areas at present into account.

Calvani was in Cannes final week, and he beforehand wrote and directed debut characteristic Excessive Tide, which premiered at SXSW in 2024. The movie was distributed by Strand Releasing.

“I’m typically drawn to tales that put people who find themselves on the margins, within the forefront,” Calvani tells Deadline. ““As a playwright first, and now as a filmmaker, I all the time attempt to use my voice for individuals who don’t actually have a voice on this planet, within the present panorama. Possibly as a result of I’m an immigrant myself, I’ve all the time been drawn to tales of people who find themselves displaced, people who find themselves making an attempt to belong to a spot, to one thing, to somebody, to a group. These tales are so well timed.”

Calling Klemp a “modern-day hero,” Calvani says that the topic of refugees is “the most important subject of our present societies.

“Regardless of the place you’re, in case you’re not a refugee, your ancestors had been refugees up to now. And we are going to probably be refugees once more. Should you have a look at the best way the world is altering, the best way the planet is struggling and the inhabitants rising… Within the present situation, at this particular time in historical past, the place there’s an increase of fascist and autocratic regimes all world wide, I believe this story couldn’t be extra necessary and provoking too,” provides Calvani.

The inspiration for Capitana

Calvani says that the dialog about adapting Klemp’s memoir first began after he met V at her house in upstate New York, when Calvani was in the midst of writing one other characteristic movie script, after Excessive Tide.

“The day I arrived, she had simply had a dialog with Pia herself,” says Calvani. “They had been speaking over some political and social interventions.

“That day, whereas they had been speaking, Pia mentioned that she has a guide and that it will be wonderful to do it as a film. The day I walked in, V checked out me and she or he was like, ‘You’re the best particular person to do that.’ So we acquired the rights of the guide and we wrote the script,” provides Calvani.

Calvani says that it was his first time co-writing a script.

“I had all the time prided myself on writing being such a private and intimate expertise — and for her too, so we had been fairly scared as a result of we love one another a lot and also you by no means know the way it’s, nevertheless it was a really riveting expertise.

“It’s actually a journey of Pia, who was making an attempt to outlive this world, making an attempt to struggle in opposition to the ignorance, the hypocrisy, making an attempt to do the best factor, to assist these in want, and establishments then getting in the best way,” says Calvani.

From appearing to directing and again to appearing once more

Earlier than 4 Seasons, Calvani had not acted in movie and tv in over ten years. Calvani was steadily constructing a thriving profession as a playwright and theater director in each his native Italy and within the U.S., helming unique performs like ‘Oil,’ ‘I’m Dracula,’ and ‘Nails.’ He has penned round 20 performs in each English and Italian, with a lot of them translated into different languages and offered throughout the U.S., Europe and Asia.

Nonetheless, with cinema, Calvani discovered a brand new technique to categorical his concepts extra visually.

“I used to be a playwright however I used to be nonetheless writing in Italian, and after I moved to New York, I needed to begin writing in English, and that was an enormous problem,” says Calvani. “With playwriting, it’s all about phrases. You are able to do so much with the stage, however at the beginning as a playwright, it’s dialogue, and it was powerful.

“Once I was given the chance to inform a narrative with a digital camera, I found what was there all alongside for me, which is telling a narrative not simply with phrases however with pictures, after which in fact the modifying, the rating,” provides Calvani. “That was fairly liberating and empowering. It gave me plenty of freedom to inform the tales I needed to inform.”

He counts Andrea Arnold, Ashgar Farhadi, Chloe Zhao and Eliza Hittman amongst his filmmaking inspirations, alongside Harold Pinter and Tennessee Williams for theater.

Nonetheless, a name from Colman Domingo — who was already connected to The 4 Seasons — kickstarted Calvani’s journey again to appearing once more.

“Colman Domingo known as me one morning asking me, ‘Are you continue to an actor?’ I genuinely mentioned no, as a result of I didn’t intend to be, and I wasn’t making an attempt to be an actor,” says Calvani. “He requested, ‘Would you place your self on tape?’ Actually, I believed Colman, being a director and producer too, that he simply wanted somebody Italian passing by, in one in every of his tasks.”

Nonetheless, simply earlier than sending in an audition tape for the position of Claude for The 4 Seasons, Calvani discovered himself questioning if returning to appearing was the subsequent greatest step — or if his inventive vocation really lay elsewhere, in writing and directing.

“I used to be fairly frightened, not simply because it was fairly a giant position,” says Calvani. “It was additionally as a result of I had simply premiered my movie at SXSW and we had been touring round festivals fairly efficiently. We had been closing a deal for distribution with Strand Releasing. It simply felt like: Why this, why now? I used to be lastly capable of make my first characteristic and I’m about to place it on the market and share it with the world. Going again to appearing felt like an impediment, a detour from what I believed I had constructed for myself all these years.

“After I acquired the half, it took me a minute to just accept the reward, and to see that it was really an exquisite alternative and blessing — that it wasn’t a detour, it was really a shortcut,” provides Calvani.

On his time filming The 4 Seasons alongside co-stars Tina Fey, Will Forte, Kerri Kenney-Silver, Erika Henningsen, Domingo and Steve Carel, Calvani says that it was a “lovely set with lovely folks.

“Though the primary day, I used to be nervous, like ‘what am I doing right here?’, sitting down at a dinner desk for a scene with Colman, Tina, Steve, Kerri, Erika and Will. You understand, main imposter syndrome. However in the long run, I knew that I used to be welcome there and that I had earned my place on the desk — actually, as a result of the primary scene was a dinner scene.”

On his writing routine, Calvani says that he’s an early riser, normally getting up at 5:30am or 6am, which he describes because the “most fertile time of the day” for writing.

“I normally write within the morning continuous, with no music. I do my meditation,” says Calvani. “Image this: 6am, a candle is lit. Once I’m capable of journey, normally it’s in the midst of nature, so there’s a silence and a magnificence outdoors the window.

“It must be a form of sanctuary as a result of as a author, you’re a vessel for data, for tales, for folks’s ideas and phrases they usually exist already up there, so that you must open your self to obtain all of them. That you must be in a state that is ready to obtain this data,” provides Calvani.

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