Simon has a powerful twitch that drives him to shake his head, meaninglessly. He generally dribbles. The way in which he seems out on the world from beneath his brows, particularly when persons are speaking to him, suggests he can’t fairly sustain with what they’re saying. When he meets a gaggle of younger folks from a neighborhood daycare heart for the intellectually disabled, he naturally falls in with them. He befriends Pehuen Pedre (taking part in a model of himself) on the highest of a mountain, the place the group has walked and gotten into difficulties in excessive winds. After they all handle to get down and again on the bus, Simon will get on board with them. That is the place he belongs.
Simon of the Mountain, Argentinian director Federico Luis’ shifting, puzzling and wholly unique debut characteristic, which gained the highest prize at Critics’ Week in Cannes, is a callback to Luis Bunuel’s 1965 traditional Simon of the Desert. Bunuel’s movie, shot in Mexico, is an anti-clerical lampooning of a saintly ascetic, Simeon Stylites, who seemingly sat on prime of a pillar within the desert for a number of years to indicate his devotion to God. Luis’ Simon just isn’t dedicated to something, however he appears additionally to have chosen a path of denial.
What’s flawed with Simon? His mom (Laura Nevole) alternates between telling him to snap out of it and imploring him to speak to her, to clarify why he’s doing this, why he has chosen to befriend these outsiders, why he’s so belligerent. Her boyfriend Agustin (Agustin Toscano, additionally one in all Luis’ two co-writers), who drives a shifting truck for a residing and is variety sufficient to make use of erratic Simon, is not going to intrude.
At first, Simon’s mom appears as depraved because the character of Devil who seems to tempt Bunuel’s Simon off his pillar. How might any mom be so merciless as to badger, mock and accuse a younger man — he’s 22, even when his petulance and impetuosity are usually infantile types of resistance – who has to stay with incapacity in a uniformly in a position world? Is she merely ashamed of him? Summoned to the daycare heart the place Simon has settled in with out really being enrolled, she says she doesn’t perceive what she’s doing there.
And but. And but! Once we see Simon on a house video as somewhat boy, he’s romping along with his father as Dad prompts his articulate toddler to spout traces from Hamlet. “Your head didn’t shake then,” observes Colo (Kiara Supini), his particular pal from the middle. “No, that was after the treatment,” Simon mumbles. It’s a catch-all excuse that ought to work. His new gang might stay at a take away from the world, however chemical conduct modification is a part of the forex of that sequestered existence. Colo clearly sees straight by means of this, however she shares along with her pals the spontaneity that Simon clearly craves; she merely doesn’t care.
Lorenzo Ferro is extraordinary as Simon. We study nearly nothing about his previous; his future hangs within the air. There’s solely his current, throwing himself into loopy video games with the daycare set, shyly letting adolescent Colo flirt with him whereas making it clear that he, at the least, just isn’t prepared for intercourse, and going to the films without cost with Pehuen, who is aware of all of the methods (and certainly taught them to the director, who was a drama instructor in a middle just like the one within the movie; Pehuen was one in all his college students).
The hand-held digicam follows Ferro intently; we by no means tire of his face, questioning what temper or expression will erupt subsequent. It’s nonetheless the face of that harmless little Hamlet. To be or to not be? Simon appears to have determined to not interact with slings, arrows or a sea of troubles. As an alternative, he stays on prime of his pillar, perpetually coming of age. In the long run, who can blame him?
Title: Simon of the Mountain
Pageant: Cannes (Critics’ Week)
Director: Federico Luis
Screenwriters: Federico Luis, Tomas Murphy, Agustin Toscano
Gross sales agent: Luxbox
Solid: Lorenzo Ferro, Kiara Supini, Pehuen Pedre
Working time: 1 hr 38 min
