For a historic overview, I’d advocate “Lagos: A Cultural Historical past,” by Kaye Whiteman. It traces the historical past of the town from the arrival of Portuguese explorers in 1472 to the British takeover in 1861 and modern instances. It takes us by way of the topography of Lagos (the Island-Mainland dichotomy), the streets and their tales, the town’s nightlife and its movie, music, artwork and literary scenes.
What books ought to I carry together with me?
Teju Cole’s novel “Each Day Is for the Thief” is styled like a travelogue. The unnamed narrator has simply returned to Lagos from New York after 15 years. He wanders across the metropolis musing on its danfo buses, web scammers, space boys, policemen, music heart and the like. He characterizes the physique language of Lagosians as one in all “undiluted self-assurance,” their facial expressions proclaiming, “Belief me, you don’t wish to mess with me,” all to counter the world boys. You’ll discover Lagos at its best (its individuals heat, stoic, wildly artistic) and at its worst (road lynchings). All through the narrative, there’s a sense of decay, one which mirrors that of the complete nation. In a poignant episode, the narrator visits the Nigerian Nationwide Museum within the Onikan neighborhood and finds the reveals meager, the sculptures and plaques “caked in mud” and “badly mildewed.”
Chris Abani’s postmodern “GraceLand” is generally set in Nineteen Eighties Lagos within the swampy slums of Maroko. Elvis, 16, is a highschool dropout. He aspires to grow to be knowledgeable dancer. At first, he tries to subsist by impersonating Elvis Presley for white expatriates, sporting a wig and dousing his face with talcum powder. His buddy Redemption leads him into crime, with devastating penalties. At instances brutal and horrific, the novel can be tender and hopeful in its portrayal of deprivation, dictatorship and disillusionment. Furthermore, its pastiche narrative contains notes on Igbo philosophy and recipes for delectable Nigerian dishes.
In distinction to Abani’s Elvis, Enitan, the protagonist of Sefi Atta’s “Every part Good Will Come,” grows up center class. Born in 1960, the yr Nigeria gained independence, Enitan’s transition into womanhood takes place towards a backdrop of the Nigerian civil conflict, navy juntas and widespread corruption. Regardless of her privileged place (she works as a lawyer and later as a banker), she struggles to navigate her patriarchal society, the recurrent sexism she suffers (even from her father) and the trauma of a buddy’s rape. The affecting narrative proffers feminist options for a troubled nation.
In Lagos, you’ll wish to attempt some Nigerian meals. The traditional Nigerian jollof? The fragrant suya or moin-moin? No matter your urge for food, “Longthroat Memoirs: Soups, Intercourse and Nigerian Style Buds,” by Yemisi Aribisala, is constructed for it. This fascinating assortment of essays is a component memoir, half cookbook and half epicurean treatise — and employs Nigerian delicacies as a framework for analyzing Nigerian society, tradition and folklore. Important themes embrace the urban-rural divide, the chafing of the normal towards “the fashionable” and the ethics underpinning the consumption of controversial meals reminiscent of canine meat. Aribisala’s prose is energetic, adroit, a pleasure to learn. The ebook enhances the recipes in Abani’s “GraceLand.”
