Broadway‘s historical past books may bear in mind the 2024-2025 season because the 12 months Hollywood stars – George Clooney, Denzel Washington, Jake Gyllenhaal, Kieran Culkin, Sarah Snook – despatched field workplace income (and ticket costs) hovering to file heights. Or perhaps the 12 months of Audra McDonald and Nicole Scherzinger (and Patti LuPone, however not for The Roommate). However I’ll bear in mind this Broadway season as being simply so very humorous. Oh, Mary!, Eureka Day, Loss of life Turns into Her, even the tender humor of Possibly Pleased Ending, all provided audiences with one thing in very quick provide outdoors the theater this 12 months: Laughter. That’s the most effective legacy of the 2024-2025 Broadway season.
With that in thoughts, and far gratitude, listed here are my predictions for this Sunday’s 78th Annual Tony Awards.
BEST PLAY
Will win: Oh, Mary!
Ought to win: Oh, Mary!
Cole Escola, Conrad Ricamora, ‘Oh, Mary!’
Emilio Madrid
Earlier than the large, superstar-driven megahits Good Evening, And Good Luck, Othello and Glengarry Glen Ross arrived this spring to seize all of the oxygen on Broadway, the discuss of the business was a queer, campy and out-and-out hilarious little Off Broadway switch referred to as Oh, Mary! Cole Escola’s tour-de-force comedy – the playwright performs a despicable, resentful and by some means totally lovable Mary Todd Lincoln who needs nothing greater than to be a cabaret star regardless of the objections of her husband Abe (who fears his personal secret love of cabaret will reveal a bit an excessive amount of of his different secret). Mary is the favourite to win, and Mary at all times will get her means.
Wouldn’t Thoughts Too A lot… if both John Proctor Is The Villain or Objective pulls a shock win. Or English or The Hills of California, for that matter. It was season for performs.
BEST MUSICAL
Will win: Possibly Pleased Ending
Ought to win: Possibly Pleased Ending

Darren Criss, Helen J Shen, ‘Possibly Pleased Ending’
Matthew Murphy and Evan Zimmerman
There’s not an undeserving nominee on this class. Loss of life Turns into Her is an excellent, massive, splashy musical that hits all the precise notes for these of us that love fantastic, massive, splashy musicals, Buena Vista Social Membership, with a rating fully in Spanish, is beautiful in each means and Operation Mincemeat was the second finest musical a few corpse this 12 months. However for me, the competition is between two of probably the most offbeat musicals to return alongside in ages: the exhausting rocking Lifeless Outlaw and Possibly Pleased Ending. I’ll give the latter a slight edge largely due to its impossibly poignant closing scenes. Why impossibly? As a result of it’s a love story about robots, and it really works on each stage.
BEST REVIVAL OF A PLAY
Will win: Eureka Day
Ought to win: Eureka Day

Thomas Middleditch, Amber Grey, Invoice Irwin, Chelsea Yakura-Kurtz, and Jessica Hecht, ‘Eureka Day’
Jeremy Daniel
Each Romeo + Juliet and Our City had been tremendous sufficient, however we’ve all seen higher revivals of these performs. The one actual competitors for Jonathan Spector’s remarkably prescient and deeply humorous vax comedy Eureka Day was David Henry Hwang’s Yellow Face (and for what it’s value, I’m not fully satisfied that the current PBS presentation of the latter did the stage play any favors). And if it wasn’t for Oh, Mary!, Eureka Day might declare the funniest scene of the Broadway season with that digital college board assembly.
Wouldn’t Thoughts At All…if Yellow Face takes the prize.
BEST REVIVAL OF A MUSICAL
Will win: Sundown Blvd.
Ought to win: Sundown Blvd.

‘Sundown Blvd.’
Marc Brenner
Provided that Gypsy director George C. Wolfe was snubbed in his class, I believe the probabilities for that nice musical/not nice revival are slim for a Revival win. Slim, however not nonexistent. Floyd Collins, the 1994 Off Broadway musical that lastly made its Broadway bow and appeared considerably extra revered in reminiscence than liked within the current, is an extended shot, as is the charming however underwhelming Pirates! The Penzance Musical. Jamie Lloyd’s moody, expressionist tackle Norma & Co. ought to take the Tony.
BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A PLAY
Will win: Cole Escola, Oh, Mary!
Ought to win: Cole Escola, Oh, Mary!
In every other 12 months, I’d be rooting for underdog Louis McCartney, who carried the whole Upside Down on his slim shoulders all through Stranger Issues: The First Shadow. Jon Michael Hill and Harry Lennix of Objective and Daniel Dae Kim of Yellow Face every have first rate photographs, whereas there isn’t fairly sufficient good luck in New York Metropolis at hand the Tony to George Clooney. Merely put, Cole Escola gave the most effective efficiency on Broadway this season.
BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A PLAY
Will win: Sarah Snook, The Image of Dorian Grey
Ought to win: Sarah Snook, The Image of Dorian Grey

Sarah Snook, ‘The Image Of Dorian Grey’
Marc Brenner
The Succession star made her Broadway debut within the bold The Image of Dorian Grey, taking part in some two dozen characters, credibly and with precision, from the Oscar Wilde novel. This one’s hers to lose. Laura Donnelly (The Hills of California) might show a spoiler, as might LaTanya Richardson Jackson (Objective). Sadie Sink gave an exquisite efficiency in John Proctor Is The Villain, and Broadway could be fortunate to see her return. As for the endearing Mia Farrow, she simply picked the flawed season for a Broadway comeback.
BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A MUSICAL
Will win: Jonathan Groff, Simply In Time
Ought to win: Jonathan Groff, Simply In Time

Jonathan Groff, ‘Simply In Time’
Darren Criss has each proper to seize that Tony for his charming, one-of-a-kind efficiency as a lovesick Helper-bot within the sleeper hit Possibly Pleased Ending, and talking of one-of-a-kind, Andrew Durand because the alive-then-dead title character of Lifeless Outlaw pulls off one of many extra astonishing theatrical feats in reminiscence. However Groff’s take-no-prisoners efficiency as nightclub famous person Bobby Darin is pure Broadway, and totally – and greater than justifiably – profitable.
BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A MUSICAL
Will win: Audra McDonald, Gypsy
Ought to win: Jennifer Simard, Loss of life Turns into Her

Audra McDonald, ‘Gypsy’
Julieta Cervantes
Sure, its a battle between Audra and Nicole Scherzinger, and sure the entire Patti LuPone contretemps served to single out the Gypsy star as foregone conclusion, however this class is jammed with worthy nominees who gave extraordinary performances this 12 months. The splendidly gifted Jasmine Amy Rogers made Boop! The Musical value sitting via – no small feat – and each Jennifer Simard and Megan Hilty introduced a gloriously over-the-top fashion to the often dreadful movie-turned-musical style. I’d be completely satisfied if this contest was between the Loss of life Turns into Her stars however it’s not, so I’ll count on Audra to win, and never be stunned if Nicole does. However I’m rooting for Jennifer.
BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY
Will win: Conrad Ricamora, Oh, Mary!
Ought to win: Conrad Ricamora, Oh, Mary!

Conrad Ricamora, Cole Escola, ‘Oh, Mary!’
Emilio Madrid
Francis Jue is a Broadway veteran who deserves each little bit of the business love he’s been receiving since his heartbreaking and really humorous efficiency because the misguidedly patriotic father in Yellow Face. Glenn Davis because the corrupt, naive and ever hopeful Solomon “Junior” Jasper is the important thing pin that holds the endlessly intriguing household dynamic of Objective collectively. Bob Odenkirk was the star amongst stars of Glengarry Glen Ross, and Gabriel Ebert, as the good man/evil bastard highschool trainer of John Proctor Is the Villain would get my vote any 12 months however this one. This season, it’s Ricamora, whose determined Abe Lincoln is the key sauce of Oh, Mary!, a homosexual straight-man outsized and outmatched by a power of nature performed by the once-in-a-generation gentle that’s Cole Escola. The 12 months belongs to them each.
BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A PLAY
Will win: Kara Younger, Objective
Ought to win: Jessica Hecht, Eureka Day

Kara Younger, ‘Objective’
Marc J. Franklin
Along with her history-making fourth consecutive Tony nomination, Kara Younger of Objective is as soon as once more the favourite this 12 months, and who might argue? She has been, with out query, a power on Broadway all through the post-pandemic period, a comic book actor who can, with out lacking a beat, break your coronary heart. I’m completely satisfied for what appears to be her doubtless win. And each Tala Ashe and Marjan Neshat made English the kind of manufacturing Broadway-goers cherish, performances that can reside in reminiscence. Fina Strazza is likely one of the many gems of John Proctor Is the Villain, and delivers what is likely to be the one finest, most delicate, most thought-provoking closing minute of any story since The Graduate. However it was Jessica Hecht, so good in 2023’s underrated Summer time, 1976, who gave the trickiest, most nuanced efficiency on this class. Because the extremely liberal, extremely anti-vax college board member of Eureka Day, Hecht took us down a path few noticed coming. All due respect to the opposite nominees on this overflowing with riches class, however that is Hecht’s time.
BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A MUSICAL
Will win: Jak Malone, Operation Mincemeat
Ought to win: Jak Malone, Operation Mincemeat

Jak Malone, Zoë Roberts, ‘Operation Mincemeat’
Julieta Cervantes
Brooks Ashmanskas, Jeb Brown, Taylor Trensch and the ever dependable Danny Burstein had tremendous seasons and gave terrific performances in work that, at the very least within the circumstances of Ashmanskas (Smash) and Burstein (Gypsy) didn’t deliver out their finest. The Tony belongs to Malone, whose efficiency of the tune “Pricey Invoice” in Operation Mincemeat is just about the epitome of a present stopper. Stuffed with depth and coronary heart, Malone’s “Pricey Invoice” – sung as a letter to a beloved husband misplaced to battle – is likely one of the season’s most treasurable moments.
BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A MUSICAL
Will win: Natalie Venetia Belcon, Buena Vista Social Membership
Ought to win: Julia Knitel, Lifeless Outlaw

Natalie Venetia Belcon, ‘Buena Vista Social Membership’
Matthew Murphy
Belcon was the stand-out within the impeccable ensemble of Buena Vista Social Membership, and is greater than worthy of this award. However for me, Julia Knitel of Lifeless Outlaw is the key weapon of that splendidly bizarre and affecting musical. She performs numerous characters, from the one real love of the Lifeless Outlaw himself, to a lonely younger lady who many years later befriends his corpse. One way or the other she makes all of it work, and she or he sounds heavenly each word of the best way.
BEST DIRECTION OF A PLAY
Will win: Sam Pinkleton, Oh, Mary!
Ought to win: Sam Pinkleton, Oh, Mary!
What else is there to say about Oh, Mary! besides that even Cole Escola wants a director who grasps each lightning-quick joke, each (blessedly uncommon) second of real poignance, and places all of it along with the ability of a clockmaker and brashness of a real artist. Danya Taymor labored miracles with the fantastic John Proctor Is The Villain, however that is the 12 months of Oh, Mary!.
BEST DIRECTION OF A MUSICAL
Will win: Michael Arden, Possibly Pleased Ending
Ought to win: Michael Arden, Possibly Pleased Ending
When the deliberately cramped world of a robotic retirement residence opens as much as embrace a universe of awe and even love, Possibly Pleased Ending strikes from a unusual little sci-fi story to one thing fully totally different, a tragic love story – yes- for the ages. That’s largely Michael Arden’s doing, and it’s most positively award-worthy. Not as in-your-face spectacular as Jamie Lloyd’s beautiful Sundown Blvd. or as wackily gut-punchy as Christopher Gattelli’s Loss of life Turns into Her, however simply, in a phrase, astounding.
And a few fast takes:
BEST SCENIC DESIGN OF A PLAY
Will win: Miriam Buether and 59, Stranger Issues: The First Shadow
Ought to win: Miriam Buether and 59, Stranger Issues: The First Shadow

‘Stranger Issues: The First Shadow’
Matthew Murphy and Evan Zimmerman
BEST SCENIC DESIGN OF A MUSICAL
Will win: Dane Laffrey and George Reeve, Possibly Pleased Ending
Ought to win: Dane Laffrey and George Reeve, Possibly Pleased Ending
BEST COSTUME DESIGN OF A PLAY
Will win: Holly Pierson, Oh, Mary!
Ought to win: Holly Pierson, Oh, Mary!
A lot of tremendous, elaborate costume work on show this season, from the quick-change finery of The Image of Dorian Grey to the spot-on tidy drudgery of ’70s-era Blackpool in The Hills of California. However it’s the hilariously billowy, life-of-its-own black hoop skirt of Oh, Mary! that’ll find yourself in a museum sometime.
BEST COSTUME DESIGN OF A PLAY
Will win: Dede Ayite, Buena Vista Social Membership
Ought to win: Paul Tazewell, Loss of life Turns into Her
BEST LIGHTING DESIGN OF A PLAY
Will win: Jon Clark, Stranger Issues: The First Shadow
Ought to win: Jon Clark, Stranger Issues: The First Shadow
Wouldn’t Thoughts Terribly If…Natasha Katz and Hannah Wasileski take the Tony for the best way they use lighting as a plot- and character-defining information in John Proctor Is the Villain.
BEST LIGHTING DESIGN OF A MUSICAL
Will win: Jack Knowles, Sundown Blvd.
Ought to win: Ben Stanton, Possibly Pleased Ending
BEST SOUND DESIGN OF A PLAY
Will win: Paul Arditti, Stranger Issues: The First Shadow
Ought to win: Paul Arditti, Stranger Issues: The First Shadow
BEST SOUND DESIGN OF A MUSICAL
Will win: Peter Hylenski, Simply In Time
Ought to win: Peter Hylenski, Simply In Time
BEST CHOREOGRAPHY
Will win: Patricia Delgado and Justin Peck, Buena Vista Social Membership
Ought to win: Patricia Delgado and Justin Peck, Buena Vista Social Membership
BEST ORCHESTRATIONS
Will win: Andrew Resnick and Michael Thurber, Simply in Time
Ought to win: Andrew Resnick and Michael Thurber, Simply in Time
BEST BOOK OF A MUSICAL
Will win: Will Aronson and Hue Park, Possibly Pleased Ending
Ought to win: Will Aronson and Hue Park, Possibly Pleased Ending
BEST ORIGINAL SCORE WRITTEN FOR THE THEATRE
Will win: David Yazbek and Erik Della Penna, Lifeless Outlaw
Ought to win: David Yazbek and Erik Della Penna, Lifeless Outlaw
The Tony Awards: Act One, a reside pre-show with unique content material is obtainable to viewers totally free on Pluto TV starting Sunday, June 8 at 6:40-8:00 PM, ET/3:40-5:00 PM, PT. Instantly following, The 78th Annual Tony Awards will broadcast reside to each coasts from 8:00-11:00 PM ET/5:00-8:00 PM PT on CBS and streaming on Paramount+ within the U.S.
