A 700-page assortment of Amazon opinions by the late ringmaster of a literary troupe

Kevin Killian’s literary universe is a carnival of information — equally carnal and bookish. His spouse, author Dodie Bellamy, wrote in 2000 that his droves of sexual companions “fell within the four-digit vary.” Most, almost all, have been males, whose anatomies and erotic proclivities Killian blew as much as usually cartoonish proportions in fiction, essays, performs, opinions and poems, for instance in a scene from the 2001 quick story “White Rose,” wherein an escaped convict makes use of a gun to warmth up his tryst with a random hookup.

Killian’s work isn’t all steamy overblown fantasy, although. The writer, who died of most cancers in 2019 on the age of 66, was additionally astoundingly erudite, even amongst his heady inventive milieu in pre-tech San Francisco. His fashionable essential voice may delve into the forgotten poets of the Civil Warfare as simply because it swooned for queer diva Kylie Minogue or a beloved constellation of midcentury Hollywood stars — Doris Day, Loretta Younger and others.

Like so many precocious queer kids who adopted the breadcrumb path of homosexual tradition within the postwar years, Killian noticed excessive and low as flip sides of the identical novelty coin. His mental voraciousness each befit the web age and felt classic, not not like his Nineteen Seventies-bred relationship with promiscuity: He wished to immerse himself in each sensation and object, artwork or kitsch, that the US coughed up through the freest many years of its imperial century.

Killian was identified for making buddies with writers of each technology, constructing an enormous net of contacts and correspondents. His writing seems like a carnival as a result of all are invited, a top quality that shines in a brand new posthumous assortment, “Chosen Amazon Critiques,” picked by editors Hedi El Kholti and Robert Dewhurst from the glut of criticism Killian posted on the titular web site between 2004 and his dying. This 700-page number of the greater than 1 million phrases Killian churned out inside the stomach of an ever-growing company beast covers merchandise starting from 200 mg of Advil and multipurpose duct tape to Sheila Heti’s novel “Motherhood.”

His opus includes an unmatched, bravura feat of twenty first century criticism. We count on these opinions to be humorous, however so usually they maintain out the potential of comedy solely to shake free our feelings, as in a 2005 overview of “The Sunshine on My Face: A Learn-Aloud Guide for Reminiscence-Challenged Adults,” when Killian brings the quantity in query to what he whimsically phrases a “native elder hostel” and reads to an octogenarian who tells the writer about his D-Day experiences on Omaha Seaside:

“Some residents mentioned that this man had not spoken aloud in years, and one mentioned this was the primary time anybody even knew that my new buddy was an American. He spoke so little that, primarily based on his identify, many had thought he was a Frenchman marooned on this nation by dementia.”

Killian took permission from the behemoth of Amazon to achieve previous the bounds of his personal literary sphere. And, relatedly, he shirked strictures of favor that critics usually internalize. Killian’s gymnastic voice can twist into lust, satire or disarming generosity. The irony of writing from inside the bowels of the über-corporation is that there is no such thing as a expectation for consistency, no firm line particular sufficient to constrain a author’s creativeness, and no viewers sensibility to acknowledge. For every of those opinions, Killian’s readers may be anybody — and so he may be anybody, too.

The e book turns into a lumbering postmodern megatext that seemingly matches the entire Earth between its covers, à la “Madame Bovary” or “Infinite Jest.” But Killian’s accomplishment is just too queer, too epigrammatic and too welcome to the reader who grazes and engages piecemeal over the course of years to ever get such credit score. “Chosen Amazon Critiques” may be the most effective toilet reader ever; it has no lofty airs and doesn’t require them.

One of many tome’s strongest motifs is how Killian, through the mid-aughts, mourns useless celebrities, from Janet Leigh to Rodney Dangerfield, a forward-thinking tackle methods the web would more and more bind folks collectively by reworking collective grief right into a reliably world phenomenon. Killian was writing previous the riven spirits of AIDS’ most deadly interval, which had marked his earlier output, and into an optimism that feels appropriately unhinged. How else to indulge hope within the twenty first century? These queer, temporary items are the scrumptious fruits of a profession spent wading by America’s gleaming cultural waste and discovering different beating hearts and curious minds among the many wreckage.

Daniel Felsenthal is a fiction author, poet, critic and essayist whose work has appeared in the New Yorker, the Guardian, the Atlantic and different publications.